THE ARTIST.

KILLING JOKE.

Killing Joke puts rhythm and guitar under high tension. The drums often sound like a driving force, the bass gives the whole thing weight, and the guitar can simultaneously cut and fill an unsettling space. Above all, Jaz Coleman's voice pulls the music to a dramatic intensity. Post-punk, industrial sounds, and heavy rock meet without the band losing its own character.

RECORDS WORTH PLAYING.

MUSIC.

5 RELEASES

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THE ARTIST.

Killing Joke puts rhythm and guitar under high tension. The drums often sound like a driving force, the bass gives the whole thing weight, and the guitar can simultaneously cut and fill an unsettling space. Above all, Jaz Coleman's voice pulls the music to a dramatic intensity. Post-punk, industrial sounds, and heavy rock meet without the band losing its own character.

Hosannas from the Basements of Hell demonstrates just how compelling that approach can become within an album. Repetition acts as a pressure that steadily increases, while the arrangements add new layers. The dub side of Killing Joke subsequently highlights other elements: space, echo, and the relationship between rhythm and sound. On vinyl, these are different ways to hear the band up close.

A Killing Joke-LP calls for attention to movement within seemingly fixed patterns. Listen for a shifting drum accent, a guitar layer that slowly changes, or a voice that approaches the rhythm differently. Below you will find the available vinyl releases and details for each edition. The genre stories and related artists offer pathways to other records where tension, experimentation, and a distinct band sound come together.

Place these records in the world of post-punk and industrial. These genre stories tell more about the musical background.

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